Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

Friday, August 26, 2011

ام كلثوم - رباعيات الخيام.



It's been so long since I put anything for Um Kalthoum; so much has been happening. This Thursday night, before tomorrow's horror unfolds in Syria and the rest of the Arab world yet again, I share some beauty from a simpler time.

There is nothing I love more than listening to this woman's music late at night, with the lights off and the window open. Magically, I am transported back home, wherever - and whatever - that is. Listening to Um Kalthoum, I know I can live, love and laugh again. This song is particularly interesting to me, it is the Rubayyat of Umar Khayyam, the famous persian poet, philosopher and sufi. In a nutshell, Um Kalthoum recites some of his words, as translated into Arabic, where he explains his misfortunes and the trials of life that he has failed at so dismally, only to ask for redemption simply because he never worshipped any other but God. As I lie in the dark, listening to these words that were already old when this song was sung, I find I have a lot to reflect upon.
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Thursday, February 17, 2011

جفنهً علم الغزل


This is one of the songs for Muhammad Abdul Wahhab that I absolutely adore. Filmed in 1933, the first thing that I find amazing is how it begins with the two women balancing jugs on their head as they walk past. That instantly brings the famous Egyptian countryside to life. At one point we get a glimpse of an Egyptian field, and we can see shadows from the clouds moving across, shadows from almost 80 years ago. The scene cuts to the girl standing in the middle of the field, beautiful and timid, looking around as if searching for someone. Finally the clip where she hops across a little ditch and then marches daintily off screen is to die for. She is like an Alice in Wonderland, portrayed through the eyes of Abdul Wahhab. There is something else that is hauntingly beautiful about this clip that I can't put my finger on, I'm not a film critic. Musically, I'm enchanted by the melody and the words. It is playful and different from anything else that was around at the time, and probably since. As for the young Muhammad Abdul Wahhab, we see a handsome, graceful young man dressed impeccably and with a fez on his head, as any respectable Arab gentleman would do back then. We might as well be seeing him alive and in front of us today. The overall effect of the clip with the music is nothing short of magical. Enjoy, late on a Wednesday night.
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Saturday, November 13, 2010

فنانة موريتانية روعة يانا يانا

A great rendition of Sabah's classic, this time from a talented singer from Mauritania. I love the tacky synthesized music and electric piano in the background. Where would Arabic music be today without the electric piano? Honestly, where?

Note: Of all the uncles and aunts, and people of their generation, who I've met and who have a dusty electric piano on top of their cupboards, I never met anyone who had made the effort to learn how to play the thing. Still, the tradition is carried on, and parents in Syria today continue to buy "al org" as it's referred to, in the vain hope that their children will grow up to be musical geniuses. Thus the cycle continues and the electric piano industry goes from strength to strength in the Middle East.

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Thursday, July 08, 2010

Warda : Isma3ouni 1 إسمعوني

The beautiful Warda...you know? If I ever had the chance, I would have married Om Kalthoum, Warda, Najat al Saghira and Samira Tawfik. If I were to have four wives it would be with these women.

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Friday, June 18, 2010

Rachid Taha - Barra Barra

My exploration of music from outside the Levant and into North Africa continues. Here's another bizarre song I found for Rachid Taha. It's not much by way of lyrics but the atmosphere is tense and brooding and you're gradually drawn into it as the song progresses. I'm also not a fan of fusing Easter and Western music as usually the result is about as appealing as steaming dog manure, but the mix here is just about right. Interesting song and an interesting idea behind it...but I'd like to see where this kind of music goes because it still isn't entirely coherent.

One thing I always found interesting about Algerians, Morrocans and Tunisians that I meet is that they really do listen to Um Kalthoum and Abdel Wahhab, whereas many Syrians or Lebanese I meet, apart from the obligatory head nodding and commenting about the 'genius' of these singers and that "they don't make them like they used to", would not stand listening to either of them for more than five minutes.

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Monday, May 24, 2010

Musique Arabe - Egypte - محمد عبد الوهاب - أحب أشوفك كل يوم

Thanks to Lasto Adri for bringing this song to my attention. Great background music for me whilst studying into the night.

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Sunday, October 26, 2008

Philosophy and.... the Oud

At the time of the Islamic conquests, philosophers and educated men had, by and large, accepted the Aristotelian view of the world. In this metaphysics, all of reality was composed of earth, wind, fire and water categorised into two broad categories of dry and hot, cold and wet. The heavier elements, earth and wind, gravitated to the centre of the universe whereas the lighter elements fire and air moved upwards and away from it. Surrounding the universe was the ether, a fifth element. The earth was considered to be at the centre of this universe. The elements had a hierarchy of importance with the earth considered the lowliest whilst the higher up you moved in the elemental chain the more worthy the element up until ether. Beyond that were the angels/demons/gods and so on, who were all subservient to The One if you were a neo-Platonist or "The Unmoved mover" if you were a strict Aristotelian. The earth was considered in the sub-lunar layer of this cosmology, the planets were beyond that and the outer limit were the stars, which rotated around the earth and possessed their own, higher, intellects and were closer in the hierarchy to this One and His influence. The fact that there was generation and corruption on the earth, as well as any movement at all, was due to the mixing and churning of these elements in the sub-lunar level. As a result, we and all other creation were a mix of these elements and conditions to varying extents. Where you were born and what stars were in the sky at the time influenced your character and fortune and these continued to exert an influence indirectly on you as a result of their effect on one or more of the elements within you.

The early Muslims largely accepted this view of the world and any educated man worth his salt was to have some grasp of these concepts. Revelation was concerned mainly with the conduct and morality of individuals and the nature of their relationship with their creator rather than reveal what some today call "scientific truth". Anyhow, the early Arab philosophers picked up on these strands of thought as the Greek texts began to be translated and the first Arabic philosopher al-Kindi pondered the nature of The One in his "On First Philosophy", only parts of which remain extant, before writing extensively on everything from the soul and the natural sciences to the making of swords and lenses. This understanding of the human body as a mixture of these four elements was the basis of medical knowledge and how physicians would deal with various symptoms in their patients. One method they used, which I had heard of before, was music. It was only I read a plaque in the Azm palace in Damascus on music that I understood the importance of it. The early Ouds had four sets of double strings, the fifth, middle one, being added by Zeryab in al Andalus during the period of Islamic rule.

Each of these four strings corresponded to one of the four elements and when plucked in different combinations and ways, were supposed to stir the necessary parts of the body or human emotion and had beneficial effects on them. The highest cord on the Oud, the zir, was yello and represented yellow bile. The second set of strings, the mathna, were red and associated with blood. The third set, the mathlath, were white and were related to phlegm whilst the fourth set, bam, were associated with the colour black and yellow but I do not know what they corresponded to in the human body.

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Monday, June 16, 2008

(Warning: Shameless advertising!) My friend Ghassan aka. Goo, has composed and produced a cool song called Evacuate about his experience during the 2006 Israeli war against Lebanon. It's pretty funky, check it out on his MySpace profile.

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Saturday, December 22, 2007

This might seem old news for many, but it's only recently struck me how beautifully written the older Arabic songs are. You can sway your head so easily to these songs once you actually listen to what they are saying and to how harmonious the melodies are. My current favourite is Omm Kalthoum and "Aroo7 le meen?" (Who can I go to?).

PS. My Oud lessons are going quite well, today I asked my instructor to help me learn "Throw myself from under the window" as it is played under the "Bayati" maqam - which I have learned recently. As'ad if you are reading this, I'll Youtube it and send it over as soon as that happens.

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Saturday, November 10, 2007

Observations on the Oud.

There is such a beauty in watching Farid al Attrash play his Oud. As someone who is still being dominated by this marvellous instrument of wood and strings, I recognise how Farid see's it for what it is. He compels it to behave as he envisions, taking complete control of this wooden instrument to produce marvelous tunes. The Oud with Farid is no longer the star attraction, the star is Farid who has bent it to his will. It will be sometime before I get the better of this "stick"...

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Sunday, November 04, 2007

My first Oud


He's not much to look at and not much of a Oud, but he's my boy. I trained him, I gave him hell..he's mine!


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Thursday, October 18, 2007

The Oud - an update

The past two weeks have been an exciting and interesting time for me as I struggle to absorb the basics of music and Oud playing. My lessons with Ehsan are an hour and a half long each though they have regularly run over that limit as we discuss politics, music and even some philosophy. The way the last two merge together and with mathematics is becoming particularly fascinating for me but more on that later. In addition, a whole new microcosm is opening up before me as discover some fantastic Oud sites on the internet with helpful tutorials.

One of the things which confused me at first was how some people here would talk to me about notes in the form of C D and E whereas my lessons are taught with Sol, La, Si, Do and so on. I have now discovered that I have been learning music in the style prevalent in the Middle East and that in fact the notes have different names in Arabic, Farsi, Turkish and Armenian as well as Greek. In Arabic, each note actually has it's own name, something which I will try to discover and memorise at some stage! The Oud itself is an ancient instrument with the first recorded usage somewhere in the Middle East around 5000 years ago. It's name literally means "The stick" and while the Wikipedia entry has some claim about Islamic restrictions on music being the reason for the cryptic name, I have also read that it is just the way the instrument itself developed and was seen, something I feel sounds much more credible. It is a strange looking device with the body shaped like half of a watermelon or some strange shell, the result is a rich resonance which almost transports the listener to another time and place. Anyhow, while I fiddle with how to place my hands and memorising what the different notes sound like, here is a list of some of the Oud sites which I have been frequenting often. All of them have a download section where you can listen to the Oud too.

The Oud Cafe
Mike's Oud
Ahmed Mukhtar

Enjoy!

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Sunday, September 02, 2007

Palestine remembered...

Decentering Damascus has had the monopoly on fantastic songs for Palestine for far too long! I hope to add this meagre contribution.








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